by Doug Stowe
Build your skills and knowledge of woodworking. Beautiful Boxes: Design and Technique is perfect for the beginner to intermediate woodworker. Each chapter features a new box design – ranging from simple to complex as you work through the book, with each one illustrating a key design principle: •Harmony •Rhythm •Texture •Contrast The beauty of wooden boxes. Building a wooden box is one of the best ways to develop overall woodworking proficiency. Boxes are quick to build, require only a small amount of material (affordable!), and can be made in the smallest of woodshops. Best of all, charming, hand crafted boxes make the perfect gift.
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$24.95 $14.97 |
Woodturning is as popular as ever -- a constantly growing segement in the woodworking world and one of the most wide-reaching woodcrafts among artists and hands-on crafters. It’s appeal is based on the short learning curve, the minimal equipment, and the sheer joy of learning to make something out of wood with one’s own hands. But, unlike a lot of crafts that rely on individuality and creative thinking, the initial techniques of woodturning must be mastered. While at first liberating, these same techniques can eventually be confining because in mastering them, one must follow the lead of others. At a certain point, woodturners can feel that mastering the techniques has become the end in itself as they lose sight of their true pursuit: to create one’s own original style. In fact, some woodturners, who believe they aren’t creative enough, will simply continue to master techniques while imitiating the style of others. Terry Martin, the author of The Creative Woodturner and a woodturning artist, instructor, and photographer for over thirty-years, believes this goes against the fundamental nature of creating and being an artist. There is no “right” or “wrong” and the pursuit of originality should be the goal of every woodturner. Best of all, creativity can be learned and the ability to think and see in one’s own artistic style can be achieved. The Creative Woodturner is not your usual “how-to” woodturning book. It won’t tell you what a chuck is, how to sharpen a scraper, or how to turn a goblet. Instead, this book is a “how-to” for unlocking curiosity, how to break the rules, and for following one’s own artistic path with confidence. Designed to give readers a wide-persepective on creativity, The Creative Woodturner begins first with insightful commentary, quotes, and examples from the woodturning and art community that will both inspire and inform. In addition, the author shares his Idea Tools: questions to ask during the planning and creative process that are as important to the creation of the woodturning project as any equipment in the shop. Finally, 16 one-of-a-kind projects – from boxes and vessles to bowls and one-of-a-kind scultpures – are featured that will spark the creative mindset of any woodturner. Each project is documented with instructions and crisp photography highlighting the key steps, techniques, and tasks necessary for completion. In taking the reader through each project, the author pulls back the curtain on his woodturning magic and shares his vision and how the Idea Tools and creative thinking emerges in each project. An inspiring and enjoyable read not only for woodturners, but for any artist, The Creative Woodturner will anyone to think and see differently so time is spent at the lathe – or whatever creative pursuit it is -- creating the original ideas instead of imitating someone else
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$17.95 $10.77 |
Take the mystery out of selecting, drying, milling, and protecting wood from the elements. Choosing the wrong wood for a project or not ensuring its ready to be worked can cost you plenty, not to mention the time youll waste. These articles, reprinted from Fine Woodworking, will take the mystery out of selecting and milling wood. Also included is a wealth of information on drying your own, alternative sources, wood movement, protecting wood from the elements, and more.
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$17.95 $10.77 |
Here is the definitive guide to fashioning writing instruments, with superb photography that goes close-up and clarifies every procedure so that you can select the one that is best for you and your workshop. There are a host of possibilities for the pen maker to express their creativity. Fountain pens, twist pens, tapered rollerball, etc. You can use a lathe, ornamental milling, router in combination with a lathe, and a jewelers lathe. Includes a gallery of finished pens.
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$19.95 $11.97 |
The botany, history, healing, and lore of trees. Genera from aspen to willow are captured in 70 dramatic photographs that illustrate their brilliant seasonal transformations. 50 different types of trees are presented and each described by way of botanical qualities, medicinal uses, magical associations, cultural uses, and much more. Quite interesting.
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$14.95 $8.97 |
This book shows the reader how to carve each of the 12 Santas presented in two different ways: as "standing" Santas and as "shelf-sitting" Santas. The first part of the book covers the basics of carving Santas. The author includes information on the carving and painting techniques, such as wood choice, basic cuts, carving tools, basic painting supplies and finishing materials. The second part of the book focuses on how to carve the Santas. Readers have two options. They can carve either a standing Santa or a shelf-sitting Santa. Each standing Santa is approximately four inches tall, full-bodied, and can stand on a table-top or shelf. The shelf-sitters are flat-bottomed with the addition of swinging legs. These figures are carved specifically to sit on the edge of a shelf or desktop with legs dangling over the edge. In this second section of the book, the author provides a step-by-step demonstration that shows the reader how to carve, paint and finish a standing, full-bodied Santa. An easy-to-follow pattern and finished photos of the carving start this section. Close-up photography and detailed captions cover the project from start to finish. The author then follows up this demonstration with a second demonstration on "shelf-sitters." She shows the reader how to carve and join the body and legs. The third section of the book includes patterns for the remaining 11 Santas. The patterns are specially designed for beginning carvers. Each has two components: a square on-the-wood pattern to help the reader get started, and a dimensional figure to help the reader finish the project. Patterns are included for both the standing and the shelf-sitting versions. Finished examples of each Santa are shown. These shots include views from several angles, plus close-ups as appropriate to provide the reader with a clear idea of the project. Historical notes on the origin of the Santa, plus carving and painting notes round out this section. This book is ideal for beginning level carvers and will appeal to any carver who would like to expand his repertoire of Santas to carve for gifts or for sale.