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The true story of Texas millionaire Tom Slick's quest for the Abominable Snowman and other cryptids-creatures unknown to science-reveals a life made for the movies. From his stepafather's abduction by George "Machine Gun" Kelly in 1933 to his association with the CIA and his expeditions into Nepal and the Pacific Northwest, Slick's life was one of adventure and excitement.
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"I shot him in the left temple; the gun dropped from his hands; he quivered one instant, and Andy McGinnis climbed the Golden Stairs...." This was Chris Evans speaking. Evans, the killer, train robber and fugitive, was describing the famous shootout at Young's cabin when he and his partner John Sontag ambushed and killed two members of a posse that was pursuing them. In California Desperadoes, Evans and seven other early outlaws tell their own raw stories-tales of holdups, shootouts and desperate flights from the law. Witness the cruel confessions of the ruthless gang of California bandits who murdered a whole family-men, women, and children-in the opening days of the Gold Rush. Stand on the gallows with the notorious Jim Stuart as he is hanged by San Francisco vigilantes determined to retake their city from hordes of Australian convicts, robbers and killers. The ill-starred adventures of Tom Bell, Tiburcio Vasquez and Charles Dorsey will hold you spellbound as the outlaws themselves take you along the dangerous trails they rode. And stage robbers Jim Smith and Dick Fellows will shock you with their own tales of the harrowing and sometimes hilarious antics of the California highwaymen of another day. These are true stories told by true desperadoes and illustrated with many rare photographs. Here are first-person accounts you will not soon forget!
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Midnight, April 5, 1970. Minutes after a red Pontiac with two men in it is stopped, four young California Highway Patrolmen lay dead of gunshot wounds. The incident still stands as the worst of its kind in America.
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Early one spring morning, disaster struck San Francisco, and a young man grabbed his camera and started documenting the destruction and death surrounding him. Fearlessly going to the center of the devastation, the man captured scenes of fires, collapsing buildings, and people fleeing for their lives—scenes that no one else had a chance to record. His photographs were preserved in a family photo album, unseen by the public for over a hundred years. When San Francisco Burned presents for the first time the photographs that young man, L ouis P. Selby, took of the Great San Francisco Earthquake and Fire of 1906. These amazingly detailed and dramatic photographs show the earthquake and its aftermath from a street-level perspective, giving readers an unprecedented look at what it was really like to be in San Francisco during those terrible days. Selby’s photographs document the immediate damage of the earthquake; horrific action shots of fire consuming San Francisco; the heroic efforts of police, soldiers, and ordinary citizens to maintain order and protect the people; the somber ruins of San Francisco after the blaze; the misery and pluck of the refugee camps; and the city’s earliest days of rebirth and rebuilding. These unique, never-before-published photographs show the horrors of the earthquake and fire—and the stubborn resistance of the people of San Francisco—like you’ve never seen them before. An invaluable addition to the historical record, When San Francisco Burned is a must-have book for anyone who loves San Francisco and its history.
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With long forgotten stories and evocative photographs, the book showcases the once-familiar sites that have faded into dim memories and hazy legends.
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Introducing the victims and perpetrators responsible for California’s most notorious shootouts, lynchings, and assassinations, this account shows how homemade justice is never black-and-white. In relating these histories, this discussion also analyzes how and why Hollywood storylines almost always follow the same skewed and unrealistic arc in which the bad guys abuse the good guys, the good guy take the high road until the bad guy has gone too far, and the good guy picks off the bad guys, one by one, in an increasingly dramatic fashion.